Nerovision Express 3.1.0.25 Numero Sereal

FIAT: come far diventare l'operaio uno schiavo.



Il cosidetto accordo Marchionne rappresenta not only a giant step backwards in industrial relations but a point of no return on the path of barbarism that capitalism is a crisis of this millennium seems to condemn himself and society as a whole. An agreement to work more hours (up to 10 per day) but less in compensation minute break, non-payment of sick days over a certain limit (very low: 4% means one day a month) and the abolition of union representation, and promises more in retaliation for those who dared raise their head, or not signing this "Agreement" or strike against, that the sanctions that come to the dismissal can not but be regarded as nothing but an act of violence and of barbarism.
It is certainly far more violent and a diktat from the kind of facts with which you move from slavery to wage labor, and turns from the factory job in camp, not four eggs and two stones thrown in anger and frustration during a student demonstration.
And it is obvious that this is the forerunner to a new, but actually very old model of industrial relations, one that lasted until the fall of fascism, the owner's commands and others obey, possibly respectful and happy.
It is disconcerting that, once again, the leaders of the Democratic Party, say they are able, even favorable, as in the case of Fassino, this abomination social.
Obviously they're going to lose a few million more votes and finally sentenced to useless policy. Who is the cause of his ill ....

How Many Mm Is The Clock

THE PALE BLUE DOT

What Is The Cheat To Cubefeild

Earth

Images of the Earth from space hold a profound ability to illicit philosophical reflection. They lead us to position ourselves within the vast timeline of the universe and to question our place within it. They force a big-picture view of humankind’s achievements and contributions, and prompt speculation on the future of our species. These images contain a radical power to shape our collective consciousness, acting as a mobilizing force for the shared beliefs and moral attitudes of society.
So far this collective consciousness has been shaped for the better. Although only a small handful of individuals have witnessed these sights first-hand, the widespread dissemination of these images of the Earth from space has variously been credited with catalyzing the environmental movement, global action on policy, and spurring transnational collaboration.
The most influential of these images is Earthrise, an ‘unscheduled’ photo taken by the astronauts of NASA’s Apollo 8 mission in 1968 while scouting for landing sites on the Moon. It was the first time our planet was seen to rise above the horizon of another. Commander Frank Borman later recalled the moment as ‘the most beautiful, heart-catching sight of my life, one that sent a torrent of nostalgia, of sheer homesickness, surging through me’. The tiny, solitary blue sphere, surrounded by darkness, spoke of the fragility of Earth and the need to nurture it. It adorned the cover of the first Whole Earth Catalog where it was described as having ‘established our planetary facthood and beauty and rareness’ and became the icon of Buckminster Fuller’s concept of ‘Spaceship Earth’, a call for international cooperation on issues of global importance.
In his 2008 book Earthrise: How man first saw the Earth, Robert Poole reflects upon the almost-instant effect this image—and the similar Blue Marble photograph released in 1972—had in forging our collective conscience for the environment. ‘As soon as the Earth became visible […] it began to acquire friends, starting in 1969 with Friends of the Earth. The years 1969-72 saw no fewer than seven major international environmental organizations come into being.’ Released at a time when knowledge and awareness of the harmful effects of pollution on our atmosphere was rapidly spreading, these images of the Earth from space gave the environmental movement a tangible symbol to fight for.
Another NASA photograph, known as the Pale Blue Dot, inspired one of the most reflective and deeply moving passages on our position within the Universe. Voyager 1, having completed it’s primary mission and upon leaving the Solar System, turned its cameras around and directed them back to Earth from a record distance. Within the image, Earth takes up 0.12% of a single pixel, set against the vastness of space. The astronomer Carl Sagan, who requested the photograph, wrote of it in 1990:
From this distant vantage point, the Earth might not seem of particular interest. But for us, it’s different. Consider again that dot. That’s here, that’s home, that’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. […] Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand. […] To me, [this image] underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.
Despite Sagan’s insistence that ‘this is where we make our stand’, images from space increasingly offer us the possibility of another home. Neil Armstrong’s stirring ‘one small step’ moonwalk in 1969 collapsed the science fiction idea of colonizing other planets and demonstrated it as a scientific possibility. But even more tellingly, when NASA returned to the Moon in 1971, they brought with them the ultimate symbol of home and American independence: the automobile. The photos of the lunar lander, with a flag firmly planted and the rover parked outside, made the potential of colonizing space a future we could grasp and relate to. This was the lunar equivalent of the proud suburban homeowner, standing outside, with the American flag adorning the porch and the Chevy in the driveway.

La Pale Blue Dot (in italiano pallido punto blu o pallido puntino azzurro ) è una celebre fotografia del pianeta Terra scattata nel 1990 dalla sonda Voyager 1, quando si trovava a sei miliardi di chilometri di distanza.
L'idea di girare la fotocamera della sonda e scattare una foto della Terra dai confini del sistema solare è stata dell'astronomo e divulgatore scientifico Carl Sagan.
Nel suo libro Sagan espone i suoi pensieri sul significato profondo della fotografia:
La foto con un campo visivo leggermente più ampio che mostra più sfondo
« Da questo distante e vantaggioso punto di vista, la Terra può non sembrare di particolare interesse. Ma per noi, è diverso. Guardate ancora quel puntino. È qui. È casa. It is us. On it, all those you love, everyone you ever heard of, every human being who ever lived, lived his life. All of our joys and sorrows, thousands of confident religions, ideologies and economic doctrines, so sure of themselves, every hunter and gatherer, every hero and coward, every creator and destroyer of civilization, every king and subject, every young couple in love, every mother and father, hopeful child, inventor and explorer, every preacher of morals, every corrupt politician, every "superstar," every "supreme commander", every saint and sinner in the history of our species lived there on a tiny speck of dust suspended inside a radius sun. The Earth is a very small stage in a vast cosmic arena.
Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties given by the inhabitants of one corner of this pixel to the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager to kill each other, how fervent their hatreds. Our ostentation, our imagined self-esteem, the illusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great avvolgente buio cosmico. Nella nostra oscurità, in tutta questa vastità, non c'è nessuna indicazione che possa giungere aiuto da qualche altra parte per salvarci da noi stessi.
La Terra è l'unico mondo conosciuto che possa ospitare la vita. Non c'è nessun altro posto, per lo meno nel futuro prossimo, dove la nostra specie possa migrare. Visitare, sì. Abitare, non ancora.
Che vi piaccia o meno, per il momento la Terra è dove ci giochiamo le nostre carte. È stato detto che l'astronomia è un'esperienza di umiltà e che forma il carattere. Non c'è forse migliore dimostrazione della follia delle vanità umane che questa distante immagine del nostro minuscolo mondo. Per me, sottolinea la nostra responsibility to deal more kindly with one another, and to preserve and protect the pale blue dot, the only home we've ever known. "

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314-311, Ovvero la vittoria di BerlusconPirro

few days ago on Facebook, (yes we are finished too, in spite of myself, and the bad thing is that I enjoy it too, although I feel the futility futile and even harmful, but I will speak of this again ) I had ventured into a prediction: Berlusconi would have saved (temporarily) the buttocks and by hook or by crook, got the confidence to risicatissimi three votes.
And so it was.
Now aside from my skills as a clairvoyant (I was sure there was the one or two was too little, 4 or more too, im average stat virtus that 3 was the right number as well as Kabbalistic) what matters is the victory of Berlusconi victory objective because it avoided the humiliation of being defeated, that for a successful narcissist is a psychological disaster before the political .
But the other fact of the matter is that it is a victory that is useless, because those three votes bought by the opposition certainly does not guarantee the possibility of having a strong government, that manages to push through laws that are proposed to screen the Chamber of Deputies.
In fact it comes to enlargement of the majority of the UDC. This means that however the experience of the Berlusconi government branded PDL-LEAGUE NORTH ends here even with today's victory, and if there is a future government is unlikely to have much broader UDC Berlusconi to direct, and, if it was, it would be a government other than the one voted by the citizens, and therefore unlawful as claimed by those loyalists Knight, and even here, weak in Parliament and in the country.
Meanwhile, while this latest farce was consumed in the seats of power, out of students, temporary workers, citizens of the Eagle and the Campania region gave birth to a massive demonstration that clashed with the police (or disorder, since the ' chaos governmental objective).
challenged here and, most importantly, in the streets, even in its disastrous drop in polls Berlusconi looks increasingly similar to Mussolini on 25 July. If
survive (politically speaking) to the present day will be like Mussolini's Salo Republic, obedient servant of someone stronger than him that will keep him under slap.

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MY CLIENT IS NOT IN A HURRY

"My client is not in a hurry," Antoni Gaudí used to say. The pious architect was speaking of God, explaining why the Roman Catholic Sagrada Família church was taking so long to complete. Nearly a century later it remains a work in progress—a dream of spires and ornate facades rising hundreds of feet above downtown Barcelona, drawing the eyes (and euros) of some two million visitors a year. This November Pope Benedict XVI consecrated it as a basilica. A final completion date of 2026 appears likely. And if history begets history, the time is ripe to reappraise Gaudí's epic endeavor—and the prescient ideas behind it.
The Sagrada Família has always been revered and reviled. The surrealists claimed Gaudí as one of their own, while George Orwell called the church "one of the most hideous buildings in the world." As idiosyncratic as Gaudí himself, it is a vision inspired by the architect's religious faith and love of nature. He understood that the natural world is rife with curved forms, not straight lines. And he noticed that natural construction tends to favor sinewy materials such as wood, muscle, and tendon. With these organic models in mind, Gaudí based his buildings on a simple premise: If nature is the work of God, and if architectural forms are derived from nature, then the best way to honor God is to design buildings based on his work.

As the Barcelona scholar Joan Bassegoda Nonell notes, "Gaudí's famous phrase, 'originality is returning to the origin,' means that the origin of all things is nature, created by God."

Gaudí's faith was his own. But his belief in the beautiful efficiency of natural engineering clearly anticipated the modern science of biomimetics.
Born in 1852 near the town of Reus, Gaudí grew up fascinated by geometry and the natural wonders of the Catalonian countryside. After architecture school, he eventually forged his own style—a synthesis of neo-Gothic, art nouveau, and Eastern elements. For Gaudí, form and function were inseparable; one found aesthetic beauty only after seeking structural efficiency, which rules the natural world. "Nothing is art if it does not come from nature," he concluded.
In 1883 Gaudí inherited the Sagrada Família from another architect, who had laid a traditional neo-Gothic base. Gaudí envisioned a soaring visual narrative of Christ's life, but knew that the massive project could not be completed in his lifetime. For more than 12 years prior to his death in 1926—he spent his last year living at the site—he rendered his plans as geometric three-dimensional models rather than as conventional drawings. Though many were destroyed by vandals during the English Civil War, those models have been vital to Gaudí's successors.
"They contain the entire building's structural DNA," explains Mark Burry, an Australia-based architect who has worked on the Sagrada Família for 31 years, using drawings and computer technology to help translate Gaudí's designs for today's craftsmen. "You can extract the architectural whole even from fragments. The models are how Gaudí met the architect's challenge: taking a complex, holistic idea and explicating it so others can understand and continue it after your death."
Adrian Bejan says the facades of the Sagrada Família are based on the golden ratio, the geometric proportion "behind all aesthetically pleasing art." The distinguished professor of mechanical engineering at Duke University, whose "constructal law" states that design in nature is a universal phenomenon of physics, calls Gaudí a forebear and a "tightrope walker on the line bridging art and science. He understood that nature is constructed by laws of mathematics. What is strongest is inherently lightest and most efficient, and therefore most beautiful."
At the heart of Gaudí's vision is a timeless truth. As Bassegoda writes: "Looking toward the future, the lesson of Gaudí is not to copy his solutions but rather to look at nature for inspiration … nature does not go out of fashion."
By Jeremy Berlin

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La crisi del Ceto Medio

Last Censis photographing a change unexpectedly, that very few had planned: the crisis of the professions and business figures, in essence what was described as "middle class" and that, under the ideological clichés, include the vast majority of the population.
According to the Censis while the population of employees (those that Marx should be considered by the term of workers) has increased by 16.2% to a total of almost two and a half million units, the self-employed fell by 200.00 units "bringing the overall impact on total employment from 26.6% to 24.5 %. "
Particularly striking is the figure of the "between 2004 and 2009 the number of entrepreneurs elapsed since from 400,000 to 260,000 (-35.1%) with a net loss of about 140,000 units' was not compensated by significant altretipologie increments of workers. "
often self-employed workers and entrepreneurs have had to resort to loans even by family members. Evidently
globalization and the crisis were felt, and different policy governments, despite the declared liberalism, have gone only to the benefit of the largest industrial and commercial groups.
issues to consider.

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Strage di Brescia, ovvero Canto dei Morti Invano

I have not had time to write these last few days.
so I could not comment on yet another Italian shame: the acquittal in the trial for the massacre of Brescia (May 28, 1974) of the accused, despite the overwhelming evidence, from a historical as well as on the judiciary.
The best comment is this poem by Primo Levi

Song of died in vain

Sit down and bargain
There will, old silver foxes. There
mureremo in a splendid palace
With food, wine, vouchers beds and good provided they are taken and traded fire

The lives of our children and yours. What
all the wisdom of creation
Converge to bless your minds And guide you through the maze
.
But we will wait us out in the cold,
The army of the dead in vain,
We of the Marne and Monte Cassino,
Treblinka, Dresden and Hiroshima:
It will be with us
Lepers and tracomatosi,
The missing of in Buenos Aires,
The dead of Cambodia and about to die of Ethiopia, I bargained
of Prague, The bloodless
of Calcutta,
innocent tortured in Bologna.
Woe to you if you come out discordant:
You will be close in our embrace.
We are invincible because we are the losers.
invulnerable because they are already extinct:
We laugh your missiles. Sit down and bargain

long as the language there is dried: If last
the damage and shame
We drowned in our decay.

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Primarie a MIlano: Yes We can!

The results of yesterday's primaries are an important starting point for reviving the idea of \u200b\u200bgovernment and political participation than the dressed crooks air and racism a thing of the past 15 years.
Participation was good, contrary to what has been said with the usual shallowness: 67,000 passes and voters are not bad, not only significantly lower when compared to the results of the previous primary (which concerned però il solo PD) ma sopratutto se andiamo a vedere la partecipazione alle ultime elezioni.
In occasione delle ultime regionali avevano votato infatti 600.000 elettori, i 67.000 di queste primarie rappresentano quindi l'11% dei votanti reali, i una fetta consistente di elettorato, tenuto poi ovviamente conto che quei 600.000 non erano tutti di centro sinistra, ovviamente.
E' vero che nelle primarie del 2006 si erano toccata la cifra di 80.000 votanti è anche vero che in generale allora la partecipazione era molto più alta, ed andrebbe aggiunta un'altra cosa, quella più rilevante; allora si era trattata di una specie di elezione pro-forma, visto che da un lato vi era un candidato (Ferrante) appoggiato da tutti e dall'altra un candidate (Dario), who had been a purely formal support from the PRC alone, in short, a kind of farce.
Quest'annno instead it was a real election campaign, with some low blows, too, with four candidates, two of which Pisapia and Boeri, data were head to head polls. Pisapia
eventually prevailed, with a margin on the whole quite pronounced, more than 5 percentage points.
The result is certainly not please the local and national leaders of the Democratic Party, who had spent the candidate Boeri, making a big mistake in my assessment and tactics.
Having loaded these primary values \u200b\u200btoo are now coming to terms with its failure, and in fact già ci sono state le prime dimissioni tra i maggiorenti del partito.
Sarebbe però un vero peccato che questioni interne a questa o quella formazione politica avessero effetti negativi su quello che deve essere l'obiettivo principale: sconfiggere Letizia Moratti ed il comitato d'affari (e malaffare) che rappresenta e che si è impadronito della città.
Yes, We can.

Headache Behind Eyes Chicken Pox

Il Re dei Rigirafrittate

L'ultima uscita di Silvio Berlusconi: "Meglio apprezzare le belle ragazze che essere gay" che ha suscitato proteste e sdegno, ma anche una diffusa solidarietà e comprensione, andrebbe analizzata con ben altri strumenti che quelli della indignazione.
Non ritengo innanzitutto che si tratti di un insulto nei confronti dei gay, the title "the Republic", in case of a mockery.
To explain better, because Berlusconi has often mocked the president of Inter Milan reproaching the lack of success compared to the success of Inter Milan fans. Never mind that it is something a bit 'of years can no longer afford, what you point out is that this kind of rhetoric is that of mockery.
mockery, commonly called "tease" means to point out real or perceived superiority over the opponent who just wants to tease you and you want to show the inferiority.
Certainly it is an attitude offensive, in the sense that those who are victims of this attitude may be offended, but si riferisce ad un universo di valori che altre persone possono condividere. Quindi gli sfottò verso gli avversari calcistici sono condivisi da chi è della tua stessa fede calcistica.
Peraltro il calcio si basa sulla contrapposizione e sulla presunzione di superiorità "a prescindere" nei confronti degli avversari.
Il tirare fuori i gay (che non c'entravano nulla e non sono evidentemente responsabili dei guai in cui il signor B: si caccia ormai con regolarità allarmante) serve a due scopi principali: il primo è quello di stornare l'attenzione dalle accuse che sono state rivolte a Berlusconi,da un fronte molto ampio che comprende anche una parte del suo stesso elettorato, il secondo è di cercare consenso tra la massa dei "senza opinion "that mass of people uninformed and superficial that a joke apt (apt from their point of view) that is greater than the force of facts.
Berlusconi is not impeached because it appreciates the fairer sex, but because it interfered with the Milan's police headquarters to obtain the release and reliance on "trusted person" of a minor accused of theft.
What then is the expectation that lasted only a few hours, it shows how a person really interests Berlusconi.
This is a serious violation of principle of equality between citizens and law enforcement, not only by Berlusconi, of course, and this is what Berlusconi should respond.
As the appreciation ragazze, un conto è questo, un conto è circondarsi di quelle che sono a tutti gli effetti prostitute o "donnine di facili costumi".
Comprare il sesso, comprare le persone, è una cosa diversa sia dal "libertinaggio" sia dall'amore, tra persone di sesso diverso o dello stesso che sia.
L'amore è una delle più belle cose che ci sia, anzi la più bella, a prescindere dal sogetto amato.
Comprare le persone, manipolarle, usarle e poi gettarle è una cosa che non ha nulla a che vedere con questo.
Il signor B. fa il furbo anche stavolta e si pone come una vittima, tipico della personalità narcisista; volete impedirmi qualche innocuo passatempo.
il secondo scopo, come detto, serve creare consent. Berlusconi has gotten a lot of football, indeed the opposition, and it seems the spirit of mockery toward the opponent. His "jokes" about Rosy Bindi "more beautiful than intelligent" they wink attitude to which people are judged not by looking at physical and intellectual substance, as well as being an apparent motion of envy and anger towards those who perceives as superior morally and intellectually.
pulling in the same way the gay dance is for the silent majority who is not gay, and maybe share the contempt for this category in search of solidarity.
It 'obvious that the preference of one thing over another is a legitimate thing, but here c'è una affermazione di valore: meglio questo che quello.
Berlusconi fa l'occhiolino all'italiano medio convinto (più meno) della propria virilità e della propria superiorità rispetto ai "diversi", stimola lo spirito di squadra (noi siamo superiori ai gay in quanto etero, come siamo migliori degli interisti, degli extracomunitari e dei comunisti nonché di quelle bruttone come Rosy Bindi, meglio la Carfagna di Rosy, vero ragazzi?)ed indica l'avversario da dileggiare.
Un ennesimo capolavoro di cialtroneria da parte del Re delle frittate capovolte.
Ed intanto l'Italia affonda nel fango, nella crisi economica e nei rifiuti...

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la non-favola di Ruby R.



Una poor girl runs away from the safe house where he is locked up and went to Genoa.
His dream is that the mass media propinano, become someone in the entertainment field. In order frequents discos, beauty contests, night clubs and all the underworld that revolves around these areas.
One day she meets other girls, they go to sleep, then, while the others are eating breakfast, steals values \u200b\u200bfor a few thousand euro.
few months later identifies it as one of the robbed and aesthetics, reporting to the police.
Ruby is stopped and questioned, but then something happens and, like a fairy tale, someone intervenes to save Ruby.
Today there are more kings and princes, but there Presidents are elected, in this case the President of the Council, but it is believed a king and as such acts.
The policemen, as in that song by Fabrizio de André, do not have a soft heart, but are not insensitive to the needs and whims of those who are at the top, and Ruby is released.
But today there are more stories, the magistrate of the child involved and the catch comes out: the king did not marry the Cinderella of Arab origin, no pumpkin will turn into the little cart and Ruby will not come to court, at most , and that's what I wish, to escape a destiny of escort or dancer of the fourth row (or worse) and be able to find an honest and decent and someone I love her really.
Greetings, little Ruby.

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Recensione di Sale el Sol di Shakira


generally do not do reviews of individual discs, I prefer to wait until the end of the year, for a quick summary, but this time I gladly make an exception. The exception is for Sale el Sol released on 19 October, the ninth disc of Shakira's discography (and not the seventh, as reported by almost all sites and blogs)
The disc is composed, as specified by the same author and singer from Colombia, three distinct musical streams and emotional part rock , part romantic (that is interwoven with the first) and a more Latin inspired mainly by the style of Merengue. All
This summary is already in the three songs that opens the CD salt el sol, local, and Antes de la seis.

Sale el sol is the founder of the rock pieces: it opens with an acoustic guitar excellent base for Shakira's voice, then the music becomes gradually stronger until you explode in the chorus in an incisive riff rock, with Hook one of those that remain in mind.
Loca ritmatissimo is a piece where the richness of the base are added percussive horns galore and a bouncy piano: practically irresistible.
Antes de la Seis presents us with Shakira and romantic melancholy of his many previous songs, piano and guitar create a magical atmosphere, Shakira's voice cradle the listener until the chorus where the song expresses the maximum of Pathos, with electric guitar and mandolin to chisel flawlessly. The other pieces
sit down in these three streams, often with results at the three prototypes.
As for the rhythm part gordita is a piece that mixes Reggaeton and Cumbia, characterized by an irreverent and entertaining text that duet with Shakira Resident of Calle 13, in a rather theatrical. Addicted to you is a piece of merengue characterized here by a strong rhythmic base that intersects with a plane hopping and neurotic and interventions horns and choirs to turn a piece but very funny with a beautiful text. Lo Que Mas
is a sweet romantic ballad in which Shakira's voice blends perfectly with the atmosphere of the piano creates Alberto Menendez.
A sublime piece.
Mariposas is a song that sounds almost casual, yet even here we see the sophistication of the arrangements, and once again the chorus hook is deadly, and piano and guitar create something magical. With
Rabioso merenguera returns to Shakira, the piece seems a bit 'more repetitive and too heavy in terms of rhythm, much less than the other pieces.
The best thing is the limited duration of the piece: all the donuts do not succeed with buco.
Da Devocion inizia la parte decisamente più rock del disco. La canzone scritta insieme a Gustavo Cerati è sicuramente una delle cose più belle del disco: dopo una introduzione di chitarra su cui si eleva la potente voce di Shakira la batteria dà il ritmo ad una canzone caratterizzata da chitarre taglienti e levigate al tempo, una canzone dalle atmosfere epiche, in cui Shakira tira fuori anche degli acuti per lei abbastanza rari. Un pezzo decisamente unico nel repertorio che si conclude con delle dissonanze elettriche. Esaltante.
Islands è una cover del gruppo The XX, una canzone carina, e ben eseguita ma che pare essere troppo fredda per il repertorio di Shakira e che non appare molto in linea con the passion of the disc. Would have been better I'll Stand By You by The Pretenders, or only Pido a Dios, if you really needed to do a cover.
Nothing wrong anyway. By Tu boca
returns in an atmosphere very powerful bass Rock introduces the song that goes in the pre-chorus to literally explode in the chorus in an almost hallucinatory rock and devastating, even here Shakira does things with the voice incredibili.Pazzesco.
And then comes close to (almost) Waka Waka in a more rock.
I prefer the version of the world, but in this context, this seems much better suited with a guitar style of The Edge of U2 to embroider and to unite the various parts of the song. Enthralling.
Poi ci sono tre versioni in spagnolo di Loca, Rabiosa e Waka Waka.
La prima è anche un po' meglio di quella inglese, Rabiosa non migliora e Waka waka è perfettamente identica salvo l'idioma.
In definitiva un disco che non è un capolavoro, ma ci va vicino, e che si propone come uno dei migliori dischi di Shakira nonché migliori dischi dell'anno.
Ebbene sì, dopo la parentesi di She Wolf, la vera Shakira è tornata

Otwieranie I Zamykanie Opcji Na Gpw

Una figura da cioccolatai


I fatti accaduti martedì scorso a Genova, dove a causa di un centinaio di ultrà (Non è il caso di chiamarli tifosi) serbi non solo non si è svolto un importante incontro internazionale di calcio, ma ci sono stati accidents and damage throughout the city, this is yet another demonstration of cialtronaggine and inefficiency of those who are responsible for the leadership of this country and, in particular, to maintain public order.
console with the fact that there was another Heysel, as the Minister Maroni, is not only a futile exercise in rhetoric, but an example of cialtronaggine.
A "new Heysel" could not be there, for the simple reason that at Heysel in 1985, there was no separation between the areas of Hooligans and Italian fans, who were simple and true fans are not organized in paramilitary groups, but simple people who were there to watch a game, and not for other reasons, also the tragedy was caused the collapse of the balustrades that would carry the crowd. The main cause was, above all. the inadequacy of the structures.
Genoa was not the problem and it was obvious that sending this group of policemen in turn would not be wise, the problem is what happened before, outside the Stadio Marassi, and it is clear that there is no totally prevention.
It is said that the Serbs have done what they have done so drunk, it is doubtful, but at other lots was prohibited from selling alcohol, even when they were also the Irish fans, always the most correct ( because for the most part from rugby, sport with a very different sport education).
The rest is a shameful bounce of responsibilities between Serbian and Italian authorities over who had warned people. I do not know how things stand, but "the Republic" was about 1300 fans who feared the Serbs and Ultras, then we say that the journalists of the newspaper De Benedetti are better informed than those who should make decisions to protect the safety of people, which is worrying.
In fact, a sporting event, involving the national soccer team, could not take place, and is the first time in history (hopefully the last) that this occurred.
These are the facts the rest is talk.

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Pensieri sparsi

1 - Moving on up to Christmas talk about the fucking apartment in Monte Carlo?
Or maybe now you go to the kitchen? and when access to services that also with a nice floor plan and maybe the plastic door to door?

2 - Music is art, and art is freedom. and artists do not have the right but the duty to be free to do that is to do what they like, crucified frogs, the shit artist, the cover of Metallica or on its behalf.
the face of bigots of various mold, race, color and type.

3 - Chavez won the elections in Venezuela, but not enough, so lost, that he won but still cheated, and if he did not think we will, and then he started his nose, belch, and probably farted and in any case there is why we dislike him regardless

4 - A woman is sentenced to death in Iran accused of murdering her husband.
The world was outraged.
A woman is executed in the U.S. for the murder of her husband. The world is silent.
Something Back ....

5 - Paolo Di Canio critical Totti (what a surprise!) Arguing that without him the Roma is stronger.
games with Totti in the field of games without Totti
2.31 points 1.83 points per game difference

multiplied by 0.48 x the 38 league games: 19 points, the difference between fourth place and the (almost) title .
conclusion:
Di Canio, as a good fascist is better to make a fist, not to think

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Levarsi un peso...



In this long controversy between Berlusconi and Fini, ended, it seems, with the expulsion of the latter by part of the first, what struck me was the following remark, attributed to the Prime Minister "Gianfranco like Veronica, a weight of less
little kinder to Veronica Lario, considering that it was he who trdire her, and not the other way, and it is clear that the weight of that unfortunate union is plenty of fallout over her, which for years has had to swallow and endure betrayals and embarrassing public appearances, and more that we can imagine.
The striking thing is another: for him, all the others are a burden.
His wife, his deputy, the Italian Constitution, the President of the Republic, laws, freedom of the press: all weights, all of which prevent him from taking off, to be free, to finally see what it's worth, as d ' On the other hand all Italians know, or would know, if only they had all these weights to prevent fly ....

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Lady Gaga ed il pianoforte di John Lennon


We start from a premise: in the pop / rock image is at least as important as the music content, always has been, and today we can safely say that it is even more.
This was perfectly understood by Lady Gaga, who's last name is actually Germanotta, a boy from the immense musical talent but not the great cunning, who has staked everything on or near a building-based image copy with incredible determination and precision, and look attitudes of other singers, Madonna, Kelis, Kylie Minogue through, and even Queen and David Bowie on expensive video and art to create the scandals, most recently the declared intention of performing on stage with corpses.
In fact it is better to copy the look others piuttoso not the music, which can give you just scratching your head, that's all the usual basic Tazuma sampled and cross-country and the rest will be the image.
L'ultima (per il momento) sua trovata è stata quella di farsi immortalare, ovviamente poco vestita, mentre suona il pianoforte.
E fino a qui niente di strano. Il punto è che quello non è un pianoforte qualsiasi ma il pianoforte di John Lennon, leggenda del rock che si vuole serio (ancora mi devono convincere che Obladi obladà sia qualcosa di serio, ma non vorrei sembrare blasfemo).
Il risultato è quello voluto dalla signorina Germanotta, evidentemente più intelligente di molti suoi critici (anche in questo simile a Madonna): grida di scandalo che si levano manco qualcuno avesse mangiato del maiale all'interno di una moschea e conseguente cancellazione dal blog di Julian, figlio di John, evidentemente complice more or less aware of the "crime" of the offending photo (which was advertised as superior to that which would have been if the had got away with a wry smile, how much would probabilmnete John).
The irony in all this is that the followers of one who said "we Beatles are more famous than Jesus Christ" and who wrote (and sang) "Imagine that there is no heaven, above us only sky, nothing to die "are of such an event a kind of blasphemous desecration, as if the rock is not an art form (ie, hobbies) pop or commercial, in which, as Andy Warhol said, all (or most) would have the Their fifteen minutes celebrity, but a religion with its martyrs, its altars, its dogmas, its requirements, and perhaps its courts of the Inquisition.
A little ridiculous, let's say, maybe even more of the claims of Lady Gaga to be an artist with a capital.

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Sant'Antimo Abbey Benedictine Monastery MONTALCINO

La leggenda narra che Carlo Magno, attorno all’anno 800, returning to Rome, camped his men, struck by the plague, in the vicinity of Starch. On the night in a dream an angel appeared to the Emperor who advised him to pick a particular grass, dry and then make an infusion with some wine drinking by making the soldiers. This was done and the army recovered. Charlemagne, whose name was linked to the herb known as "Carolina" in thanksgiving for the miracle he had built the Abbey giving the bones of saints and martyrs Antimo Sebastian.
Abbey, built as a votive Imperial, was protected and enriched by the privileges granted by the descendants of Charlemagne, abbot of Saint Antimo was in fact also attributed the important title of Count Palatine. The abbey to the Mille was already a potentate and its territorial possessions, scattered between Lucca and Orbetello, monasteries counted nine, forty-six churches and Seventeen different castles, mills and farms.
In 1118, thanks to a magnificent donation of Count Bernardo Ardengheschi, the monks were able to rebuild their church in a more grand and elegant.
The new building was built inspired by French models, with the central nave soaring and bright, with forums, enriched by imaginative sculptures of French masters. On the side facing south stretched the rest of the vast complex, with its cloister, chapter house, scriptorium and other environments for the monastic life.
When in 1200 the Sienese troops led by Filippo Montalcino Malavolti attacked, they were right even of soldiers sent by the abbot of Sant 'Antimo. Consequence of defeat was passed on to Siena for a good part of the estate and thus began, inexorable decline.
Ascended to the papal throne, in 1462 the Sienese Pope Pius II decided that the suppression of the Abbey falls increasingly abandonment, both materially and spiritually.

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Weltenburg

The Benedictine monastery of Weltenburg , one of the best examples of Bavarian Rococo, overlooking the Danube and is completely surrounded by meadows, woods and narrow rocky the so-called "Danube Gorge".
It 's the oldest monastery in Bavaria: we have news of a community of monks already around the year 600, around the year 1000, built a large monastery and a church side, then completely renovated in the first half of 1700 by brothers Cosmas and Damian Egid Quirin Asam. The frescoes and gold decorations of the side chapels and dome is a hymn to opulence and wealth typical of the Baroque-Rococo.
Some people overlook the golden balustrade that runs around the magnificent fresco of the dome, which is at the center as the heart of the Holy Spirit Church and God the Father and Jesus and Mary crown: it is a series of cherubs and the same Egid Quirin Asam , plasterer of the church. Dominates the high altar is a large statue depicting St George slaying the dragon.
Around the church is a vast complex of buildings housing the cells of the Benedictine monastery and the oldest brewery in the world where it is produced, following the original recipe compiled by monks in 1058, an excellent dark beer.

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Geghard MONASTERY ARMENIA

Geghard is one of Armenia's most significant medieval architectural ensembles and lies some 5 km northeast of Garni. According to legend, it was founded in the 4th century. The most ancient cave-church of St Gregory (7th century) is outside the monastery walls. The principal structure, the church of the Virgin, is a cruciform building from the second quarter of the 13th century. It has a four-column gavit (1225) to the west of the church. Two cave-churches were constructed in 1263, along with the family sepulchre of the Proshian Princes. Their coat of arms is carved in the rock: two chained lions and an eagle with half-spread wings, whose claws grasp a calf.
The architect Galdzagh built both structures. Carved in the rock, somewhat above the sepulchre, is the four-column burial place of Prince Papak and his wife Hroozakan (1288). It clearly recalls other 12th-13th century four-column gavits. A number of artificial caves and many khatchkars are also visible.
Geghard Monastery is listed in the UNESCO World Heritage List (2000).